Nietzsche and wagner essay
In the years that followed, they became both personally and philosophically estranged, although his sister Elisabeth remained on friendly terms with the Wagners and their circle. They believe one becomes selfless in love because one desires the advantage of another person, often against one's own advantage. These have now been published, and many issued on CD. Never before has there been so much thinking, willing, and industry in this sphere. Nothing is known concerning Wagner, so long as his dominating instinct has not been divined. Wagner was at the center of it, of course. In this essay, Nietzsche uses Wagner as an example of an artist who turned to ascetic ideals late in his life: he embraced chastity and vegetarianism, and in Parsifal he further expressed this asceticism. The case in the "Ring. Nietzsche's first book, The Birth of Tragedy , contained a long eulogy to Wagner that Nietzsche later regretted. And in The Case of Wagner he sets out to demonstrate the decadent quality of the Wagnerian hero, who is not a hero at all but an entartete Mensch. In the words of the master: infinity but without melody. Such might be the moderated judgement of a Nietzschean today. Let us wander in the clouds, let us harangue eternity, let us be careful to group great symbols all around us! And for Nietzsche, at least, no other justification is possible: hence the need for tragedy, which involves the overcoming of horror by aesthetic means.
It approaches lightly, supplely, politely. A typical telegram from Bayreuth would read: bereits bereut [I already repent].
What is happening? Let us heave the mud of the most repulsive harmonies undauntedly before us! Nevertheless, striking as the instances may at times be whereby it could be supported, there is always the standing objection to them that it would be the greatest marvel if chance never watched over our affairs as well as, or even better than, our understanding and insight could have done.
He belongs to it: he is its protagonist, its greatest name The absence of melody is in itself sanctifying When the accompanying instruments not only provide harmonic support but also present prominent motivic or melodic material, the term recitativo obbligato may be used.
Even Klopstock preached him a moral sermon; there was a time when Herder was fond of using the word "Priapus" when he spoke of Goethe.
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